 Biography of MARK CAPUTO
I have begun to make music 13 years, when in order to make blow on a girl who played the pianoforte became account that I had to play some instrument also.
I did not succeed to conquer it but I continued to play equally.
The flauto sweet it has been my first instrument, unpleasant but obligatory boring and to the medium schools.
Subsequently, with to my beloved friend Tullio Calosci, decided that the guitar could be one instrument more stimulant in order to continue much to make something in the world of music. I bought therefore my first guitar, little bit of euro for a wood piece that however fascinated to me. From good didatta car I began to learn the first agreements above all reading some booklet, observing the larger boys who played and listening to discs.
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In those years we took a period to me of true fanatismo for music of the Beatles and to short I learned to play all their brani.
Never they have not been a vituous one of the instrument, but that music, those melodie winning and l’estro compositivo of the brace Lennon McCartney stimulated to me to write mine first brani.
 In 1982 I formed my first group: I, Tullio Calosci, Marco Urzi, Marco Faragli (today of the group 360 gradi) and Alessandro Cervo.
The band it was called “Stage” and we obviously played nearly all songs of the Beatles. |
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Often it happens in young age, I began also to play to the
putting of Sunday, from the great Don Fabio Masi to Vingone.
The musicians who turned in church in the years ‘80 were huge: the Whisky Trail , Antonio Breschi , Carlo Corsini, Giacomo Gentiluomo.
I learned very from they and I had way also to try to play the piano, instrument that can to me buy very later.
Many songs that came played to the putting were originate them, or italian cover of Bob Dylan. They were beautiful songs much and the peoples of Vingone expressed desire of being able to listen them to house, even record to you on a disc.
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In the 1983 they began therefore the recordings:
a side realized from the Whisky Trail , in that age to the maximum of the splendor, and a side realized from me, Tullio Calosci and Giacomo Gentiluomo. My first experience in study. A month of preparation, an incredible emotion, one only experience.
The disc exited in 1984, the result was important interesting. |
In 1987, after along and laborious delivery, the single one exited first, a Q disc (a large frying pan as 33 turn that instead it went listened to to 45 turns) from the title it “ She’s underground  ”.
On the back “ Only wasting Time ”. The disc was placed fifth in classifies of sales near the Mastelloni store of Florence.
The producer of the group was Steve Eden, Kind name d’arte that it hid a Stefano Gentili (of the group today 360 gradi). The disc was recorded from a true master, Marzio Benelli , near the study Emme di Calenzano. L’esperienza in this study was for devastating me.
I discovered the MIDI, the computers, the digital samplers them and all that technology tied to the music that me will lascerà a sign much deep one in every year succeeded to you, a passion that still today me helps living like teacher highly characterized in the field.
In 1988 the single second exited, from the title it “ Wanna be your great the Time ”, always recorded to the Emme studio, quite using a digital multitrack them Mitsubishi (we were between first in Italy using this innovative technology). But the group of the Real People was already in phase of disintegration for inner frictions and the brano although pretty it made little road. |
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In 1989 I began to I played with one myriad of band flourishing some, kinds several: blues, new wave, funky etc.
It was an optimal experience in order to increase the musical views and to learn to play with various styles and musical techniques.
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In the 1990, loaded one with the experiences made in study with the Real People,
decided to leave for one new adventure: audio specialist in technologies.
I contacted Grisby Music , un’azienda a lot asserted in the field, and began to work for they. Therefore in order very two years I inhabited to Ancona, carrying out duties of adviser for the professional products audio.
They have been two hard years, but with highest concentrated than professional experience that can be imagined.
I have had way to turn great part of the Italian studies of recording like referring for Lexicon , Akai , Otari , Summit , Focusrite , Meyer , Godin and many others mark prestigious of the audio world.
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Grisby Music 1992. They can be recognized Mr. Godin
and the guitarist Gae Manfredini .
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They have been dense years of travels, international fairs, meeting to Tokio with Japanese planners and I have had great way to work to flank of like Pino Daniele, Vasco Rossi, Ron, Lucio Dalla, Antonello Venditti and many other large artists.
Only and full Un’esperienza of important encounter, between which the great Lucio Battisti and Ivan Graziani.
But the life from specialist demanded also great sacrifices, above all in the affections, and precludeva moreover the possibility to continue to play. |
Here that after two determined years of giving one new carried out to my professional life: to return to make the musician. With to a pianista friend, the great Vanni Cassori, I reopened the recording study that I had founded for the recordings of the Real People: Harmonizer Studio.
After a small widening in technologies and instruments the study was modernized and aligned to a good qualitative standard, it could give great possibilities of job.
We began to work in the field of the jingles advertising television, above all that dedicates to you to the toys for children.
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Composition, agreement and recording were our daily bread. They came produced approximately a hundred of jingles at year, a lot that gives the ‘92 to the ‘98 worked on beyond 500 musical songs of 30 seconds ones. Diaframma, Studio 55, Comark, Alta, B&A, Model T, Profile are some of the agencies with which in short time we found ourselves to work.
Between the more famous jobs from we it realizes to you:
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In contemporary, in 1994, with to Giulio Clement I founded the Modus.
Modus was a society that worked in varies to you ambles to you, between which advisings audio, didactic and planning. In 10 years of Modus activity it worked for many companies and it supplied advisings and course of professional formation for RAI, Mediaset, Cinecittà and specialistic schools financed from the European community. We wrote books and handbook for Berben and I developed varies plans to you innovated to you between which various they became licences. |
In the 1997 they began also various musical productions, between which artists
fiorentini like Arya and Susy Bellucci .
It was a period in which, I saturate of music from jingle, I felt the need to begin to write a po’ of light music and the Arya plan falled at the just moment. Arya , name d’arte of Serene Welcomes, was identified perfectly in those sound acoustic with ethnic contaminations.
The plan expanded and in 1998 was entered to make some leaves also Popi Fabrizio , producer and talent scout of famous artists of the Italian musical panorama, and Claudius Ancillotti. Entirety we worked on some my brani and in 1999 the single one exited finally first: “Foglie d’autunno ”. With this brano we participated to many festival musical (Caltanissetta, Belluno, Montecatini, Girofestival of Pescara, Benevento etc) with always turns out to you unexpected of placing in the first places. For a breath you will not succeed to enter to the Sanremo Festival. |
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In 2000 the single second exited “Dammi te ” with interesting it turns out to you. The plan had a discreet continuation until 2002.
In these years it began a large crisis of job in the field of the jingle musical, than to me it saw been involved heavy.
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Is now famous to all as it is difficult to succeed to live making l’artista, above all the musician. I began therefore to try economic resources also in other fields.
In those years interesting collaboration with a friend of old date began one: Andra Baggio.
Andrea from some year had begun to supply electronic solutions to the problems that crevano in the atmosphere lyric classic and every time that the orchestra had to play expensive instruments, difficultly transportable or quite unavailable. |
Thanks to the use of digital samplers them, a sage I use of the recording systems and a sophisticated elaboration of the sound, in little years the bookcase of Andrea is tax like qualitative standard and tutt' hour boasts the credits of the greatest directors than orchestra.
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| Tosca to the Olympic stage to Rome, with the great Daniel Tramontani, and
Tosca to Hannover |
My collaboration in this activity currently still sees me engaged in many works scattered in turn for Italy and to the foreign country.
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A new emergent field, than got passionate to me and in which I caught a glimpse interesting resources for the future, it was that legacy to the Internet world. For a pair of years I studied all the technologies audio and video that ruotavano around to the multimedialità of the planet web and finally, 26 May 2004, with to two friends of old date the light l’attuale Modus Multimedia.
At this point we are to the history today.
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